Sooooo... I guess the guy behind the camera has nothing to do with it give anyone a 25,000 camera and 4hrs with photoshop...... presto!!!!
IN fact the shot above is a Nikon D2xs $6000.00
Ambient Life Photography: The Hype: What Digital Camera Feature ....
Seriously!!! The photos are maddd and the photographer is a baddasss!!!! IMHO the really amazing part of his photography is the lighting & composition, a lot of photographers just point lights to the subject and just blast away, any photographer worth his glass understands the importance of light, and the difference it makes
Lighting, the key in some cases to creating a great image. Most of the lighting that we use is field portable such as Elinchrom and ProFoto, this is essential to our work as heavy and unreliable generators add expense and time to a shoot often. We do receive a great deal of emails from photographers who want to emulate the work that Tim produces and lighting diagram requests are a frequent item in our inbox.
Tim- "Lighting is a very personal thing and in truth its simply not possible to copy a lighting set up and get the same result. The way that I approach lighting is very simple, in cases where you will have multiple lights in play it's important to 'light up' to the subject slowly, what I mean is do not over light the car, throwing huge belts of light at it from different directions, a lot of my work I like to look as if its not been lit at all, subtle so to speak.....
Also people in my view make little use of the best light source that they have, the sun!, it's very underrated and if you look back at the time of the great masters you'll note that many used to employ a lighting technique that meant lighting in the same direction as the sun instead of against it as many seem to now.
I just love the work...