SCP_Celica / Joe Dono - A Scammer, and a thief. Now taking credit for others photos.
How in the hell did you decipher that shit?
Anyways...on to the OP. I could be wrong, but I think the only way to get him for copyright infringement on the photos is if he were to sell them as his own...and make money. Not just the attention hoor that he is. Obviously, Tom the photog/lawyer would know more but that's my understanding.
Sucks, yes but there are assholes every where and this is the internet. Just sucks that it had to be here.
Bravo to those that found all the photos. Kaluwa....great job!
Now wondering what this kids brother thinks as he's reading all this. Bet he's proud.
Anyways...on to the OP. I could be wrong, but I think the only way to get him for copyright infringement on the photos is if he were to sell them as his own...and make money. Not just the attention hoor that he is. Obviously, Tom the photog/lawyer would know more but that's my understanding.
Sucks, yes but there are assholes every where and this is the internet. Just sucks that it had to be here.
Bravo to those that found all the photos. Kaluwa....great job!Now wondering what this kids brother thinks as he's reading all this. Bet he's proud.
oh sorry guys i didn't know yall would have so much difficulty reading my post(just didn't felt like making everything so perfect). next time i will know to write better for all the felow tr readers, and no i'm not that dirty lil whores brother. i still can believe that kid would actually want to spend 16g to rice out a celica???oh and kaluwa going to the meet tonight? if you get to read this on time hit montriko up.
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This is what 18 holes smells like!

RIP Pablo 3rd Garcia will be miss By Millions 9/28/85-9/4/2007
TR "Old Skool EF" Member #147
and nah u wasn't even close to what i meant.
sorry now back to Joe.
__________________


This is what 18 holes smells like!

RIP Pablo 3rd Garcia will be miss By Millions 9/28/85-9/4/2007
TR "Old Skool EF" Member #147
How in the hell did you decipher that shit?
Anyways...on to the OP. I could be wrong, but I think the only way to get him for copyright infringement on the photos is if he were to sell them as his own...and make money. Not just the attention hoor that he is. Obviously, Tom the photog/lawyer would know more but that's my understanding.
Sucks, yes but there are assholes every where and this is the internet. Just sucks that it had to be here.
Bravo to those that found all the photos. Kaluwa....great job!
Now wondering what this kids brother thinks as he's reading all this. Bet he's proud.
Anyways...on to the OP. I could be wrong, but I think the only way to get him for copyright infringement on the photos is if he were to sell them as his own...and make money. Not just the attention hoor that he is. Obviously, Tom the photog/lawyer would know more but that's my understanding.
Sucks, yes but there are assholes every where and this is the internet. Just sucks that it had to be here.
Bravo to those that found all the photos. Kaluwa....great job!Now wondering what this kids brother thinks as he's reading all this. Bet he's proud.
__________________


This is what 18 holes smells like!

RIP Pablo 3rd Garcia will be miss By Millions 9/28/85-9/4/2007
TR "Old Skool EF" Member #147
Copyright
...is a form of protection provided by the laws of the United States (title 17, U. S. Code) to the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works. This protection is available to both published and unpublished works. Section 106 of the 1976 Copyright Act generally gives the owner of copyright the exclusive right to do and to authorize others to do the following:
• To reproduce the work in copies or phonorecords;
• To prepare derivative works based upon the work;
• To distribute copies or phonorecords of the work to the public, by sale or
other transfer of ownership, or by rental, lease, or lending;
• To perform the work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works;
• To display the work publicly, in the case of literary, musical, dramatic, and
choreographic works, pantomimes, and pictorial, graphic, or sculptural
works, including the individual images of a motion picture or other audiovisual work; and
• In the case of sound recordings,* to perform the work publicly by means of a digital audio transmission. In addition, certain authors of works of visual art have the rights of attribution and integrity as described in section 106A of the 1976 Copyright Act. For further information, see Circular 40, Copyright Registration for Works of the Visual Arts.
__________________________________________________ __________________________
It is illegal for anyone to violate any of the rights provided by the copyright
law to the owner of copyright. These rights, however, are not unlimited in
scope. Sections 107 through 121 of the 1976 Copyright Act establish limitations
on these rights. In some cases, these limitations are specified exemptions from
copyright liability. One major limitation is the doctrine of “fair use,” which
is given a statutory basis in section 107 of the 1976 Copyright Act. In other
instances, the limitation takes the form of a “compulsory license” under which
certain limited uses of copyrighted works are permitted upon payment of
specified royalties and compliance with statutory conditions. For further information
about the limitations of any of these rights, consult the copyright law or
write to the Copyright Office.
The way in which copyright protection is secured is frequently
misunderstood. No publication or registration or other action
in the Copyright Office is required to secure copyright.
Source: http://www.copyright.gov/circs/circ1.pdf
...is a form of protection provided by the laws of the United States (title 17, U. S. Code) to the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works. This protection is available to both published and unpublished works. Section 106 of the 1976 Copyright Act generally gives the owner of copyright the exclusive right to do and to authorize others to do the following:
• To reproduce the work in copies or phonorecords;
• To prepare derivative works based upon the work;
• To distribute copies or phonorecords of the work to the public, by sale or
other transfer of ownership, or by rental, lease, or lending;
• To perform the work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works;
• To display the work publicly, in the case of literary, musical, dramatic, and
choreographic works, pantomimes, and pictorial, graphic, or sculptural
works, including the individual images of a motion picture or other audiovisual work; and
• In the case of sound recordings,* to perform the work publicly by means of a digital audio transmission. In addition, certain authors of works of visual art have the rights of attribution and integrity as described in section 106A of the 1976 Copyright Act. For further information, see Circular 40, Copyright Registration for Works of the Visual Arts.
__________________________________________________ __________________________
It is illegal for anyone to violate any of the rights provided by the copyright
law to the owner of copyright. These rights, however, are not unlimited in
scope. Sections 107 through 121 of the 1976 Copyright Act establish limitations
on these rights. In some cases, these limitations are specified exemptions from
copyright liability. One major limitation is the doctrine of “fair use,” which
is given a statutory basis in section 107 of the 1976 Copyright Act. In other
instances, the limitation takes the form of a “compulsory license” under which
certain limited uses of copyrighted works are permitted upon payment of
specified royalties and compliance with statutory conditions. For further information
about the limitations of any of these rights, consult the copyright law or
write to the Copyright Office.
The way in which copyright protection is secured is frequently
misunderstood. No publication or registration or other action
in the Copyright Office is required to secure copyright.
Source: http://www.copyright.gov/circs/circ1.pdf
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