senor honda

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senor honda

I was cruisin' in my Stingray late one night
When an XKE pulled up on the right
And rolled down the window of his shiny new Jag
And challenged me then and there to a drag
I said, "You're on, buddy, my mill's runnin' fine
Let's come off the line now, at Sunset and Vine
But I'll throw you one better if you've got the nerve
Let's race all the way
To Dead Man's Curve"

Dead Man's Curve, it's no place to play
Dead Man's Curve, you best keep away
Dead Man's Curve, I can hear 'em say
Won't come back from Dead Man's Curve

The street was deserted late Friday night
We were buggin' each other while we sat out the light
We both popped the clutch when the light turned green
You should of heard the whine from my screamin' machine
I flew past LaBrea, Schwab's, and Crescent Heights
And all the Jag could see were my six tail lights
He passed me at Doheny then I started to swerve
But I pulled her out and there we were
At Dead Man's Curve

Dead Man's Curve, it's no place to play
Dead Man's Curve

Well, the last thing I remember, Doc, I started to swerve
And then I saw the Jag slide into the curve
I know I'll never forget that horrible sight
I guess I found out for myself that everyone was right
Won't come back from Dead Man's Curve

Dead Man's Curve, it's no place to play
Dead Man's Curve, you best keep away
Dead Man's Curve, I can hear 'em say
Won't come back from Dead Man's Curve

senor honda

John LaStrada
Paul McCartney, John Lennon and George Martin (of The Beatles) admired Brian Wilson and The Beach Boys....Brian Wilson admired Jan and Dean. Not only did those two men sound like the entire Beach Boys, and sang the Beach Boys hit "Barbara Ann," they hooked up multiple tape recorders at the same time that guitar legend Les Paul did. Dean Torrance designed many of the biggest rock album covers in rock history through his Kitty Hawk Graphics company. Jan and Dean were no second stringers -- that's why Brian Wilson wrote songs for them. He knew their value. R&R Hall of Fame? Who gives a shit about them -- "Surf City" is legendary.

senor honda

I get around.....
The Beach Boys' vocal harmonies are among the most unmistakable and enduring of the rock and roll era. Among rock and roll groups of the Sixties, the California quintet place second only to the Beatles in terms of their overall impact on the Top 40. They were the Fab Four's most serious competitors on a creative level, too. Paul McCartney has allowed that the Beatles' masterpiece, Sgt. Pepper's Lonely Hearts Club Band, was their attempt to address the challenge posed by the Beach Boys' magnum opus, Pet Sounds - which itself was inspired by the British foursome's Rubber Soul.

This creative dialogue between two of rock's greatest bands pushed popular music to an artistic peak. Paul McCartney noted that "both [Pet Sounds and Sgt. Pepper] have more than held up. To me it's like, 'What have people been doing in the meantime? Where's the progress?' I can't see anything as modern as that around at the moment."

The Beach Boys were a family affair that came together in the Los Angeles suburb of Hawthorne, California, in 1961. Three brothers -- Brian, Carl and Dennis Wilson -- were joined by their cousin, Mike Love, and a schoolmate, Alan Jardine (who was replaced by David Marks, before rejoining). Brian Wilson, who demonstrated an aptitude for music at an early age, was the group's leader, orchestrating their harmonies, writing the music, producing the recording sessions.

One of the undisputed geniuses in popular music, Brian demonstrated an uncanny gift for harmonic invention and complex vocal and instrumental arrangements. Initially, the magnitude of that genius was overlooked owing to the subject matter of the band's early hits: i.e., surfing, hot rods and teen romance. But today, even the lyrics to those songs -- generally written by Mike Love or such outside collaborators as deejay Roger Christian and producer Gary Usher -- are celebrated for their deft use of technical lingo and youthful joie de vivre. "A lot of love went into our singing, our harmonies, the making of those records," Brian Wilson said in 2003.

"I Get Around" was written by Brian Wilson and Mike Love for The Beach Boys. The song features Love on lead vocal for the verse, and Wilson for the chorus. It is noteworthy for its back-to-front structure—it starts with a chorus and has two short verses. It was a single which was released in 1964 through Capitol Records; the B-side of the single was "Don't Worry Baby", which itself charted at number 24 in the United States. "I Get Around" was The Beach Boys' first number-one hit song in the United States. The single charted at number seven in the United Kingdom, and was the band's first top ten single there. The song's first album release was on All Summer Long in 1964. The band performed I Get Around as well as Wendy on the Ed Sullivan Show on September 27, 1964.

The vocals were recorded during a session eight days later on April 10. The lead vocal features Mike Love on the verses and Brian Wilson on the choruses with backing vocals from Brian, Carl & Dennis Wilson, Mike Love and Alan Jardine (the soaring falsetto is Brian Wilson).

"I Get Around" was released as a single in the US on May 11, 1964. The single entered the Billboard chart on June 6 at #17. It reached the #1 spot on the Billboard charts on July 4, becoming the band's first #1 hit in the US. The song remained at #1 for two weeks before being replaced by "Rag Doll" by The Four Seasons. The single also reached #1 on the United States Variety charts on July 1.

The song was first released on an album in 1964 on the band's All Summer Long album. In the following year, the band re-recorded the song as a medley along with "Little Deuce Coupe" for their 1965 Beach Boys' Party! album. The medley was a send-up of the original recording. The mock recording replaces lyrics such as "we always take my car cause it's never been beat" with "we always take my car although it's a heap". The original recording of the song was later re-released on the band's 1989 studio album Still Cruisin'. On the 1996 country styled studio release Stars and Stripes Vol. 1 the band re-recorded the song for the album which featured country band Sawyer Brown as guests on the track who played several of the instruments on the recording as well as featuring a lead vocal by band member Mark Miller. The harmonies on the re-recorded track were provided by Brian & Carl Wilson, Alan & Matt Jardine, Mike Love and Bruce Johnston.

The song frequently appears on many of the groups Greatest Hits compilations.

senor honda

whoyoukidding1

Kokomo

Ahh, this song takes me back. I went to the Bahamas with my girlfriend when this song was popular. What an amazing beauty. She was what dreams are made of. One of my favorite memories. This song always reminds me of it. And, she's been my wife for 25 years now!

senor honda

California Girls
The Top hit of 1965 by The Beach Boys,
and images of Hollywood Legend Marilyn Monroe.
Marilyn knew how to project the joy of
living, and happiness. She liked the
professional touch, and worked with the
best photographers . Her photos are
everywhere. She had a zest for life...

Selected quotes from Lee Strasberg´s
eulogy, August 1962:

"Marilyn Monroe was a legend. In her own lifetime she created a myth of what a poor girl from a deprived background could attain. For the entire world she became a symbol of the eternal feminine."

"Others were as physically beautiful as she was, but there was obviously something more in her, something that people saw and recognized in her performances and with which they identified. She had a luminous quality - a combination of wistfulness, radiance, yearning - to set her apart and yet make everyone wish to be a part of it, to share in the childish naivete which was so shy and yet so vibrant.".

Song: CALIFORNIA GIRLS
The Beach Boys, vocal
Music and Lyrics: Brian Wilson and
Mike Love
From the Lp: Summer Days ( and Summer Nights) (1965)

Images of Marilyn Monroe by the
following photographers:
Ed Feingersh
Cecil Beaton
Sam Shaw
Andre' de Dienes
Joseph Jasgur
Peter Mangone ( 14 yrs. old in 1955)
Milton H. Greene
Philippe Halsman
Lawrence Schiller

senor honda

409:
Dave Montanbeau

+David Smith Before we detuned the engine, it was running high 10s but it was breaking parts. Then we went to the drawing board and came up with this combo. We had a 409 in a 62 running 8.50s on alcohol. It lasted 5 rounds. I was built on a bet that we wouldn't crack 9s. Now they have 09s running 7s and 9s on the street cars. They are bouncing back. Join my FB. Lot of good 409 stuff. https://www.facebook.com/groups/406019856199113/

senor honda

Christian Mendoza Tapia
GTO.....

I study automotive technology. recently a 65 Chevy truck came in to our shop, we popped the hood and one youngster pointed to the engine and asked what the hell was that on top. my instructor smiled and said, "Carburetor."